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Kodni sistem
Slovenska književnost
Avtorji
Uredništvo <-> bralci

Jezik in slovstvo
Povzetki
Jezik in slovstvo
Kazalo
Kazalo letnika
 


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Jonatan Vinkler

France Prešeren in František Ladislav Čelakovsk - znaki, razmerja in pomeni
France Prešeren and František Ladislav Čelakovsk --- Signs, Relations and Meanings


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Slovenski sinopsis
 - English synopsis
 - English summary
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 - Slovenski sinopsis

František Ladislav Čelakovsk je bil prvi Čeh, ki se je načrtno strokovno ukvarjal s slovensko literaturo, jo kritično vrednotil in prevajal. Članek prinaša analizo korespondence med Prešernom in Čelakovskim ter analizo spisa Čelakovskega Krajinská literatura (Časopis českého Musem VI (1832), 443-454). Ob tem rešuje tudi vprašanje recepcije spisa Čelakovskega pri slovenskem bralcu in vprašanje razmerja Krajinske literature in estetske usmeritve Čelakovskega v njej do Prešernove estetske paradigme. V tej smeri ugotavlja, da je Čelakovsk s Krajinsko literaturo v slovensko literarno življenje posegel tako, da je branil Prešernovo estetsko usmeritev in s tem tip breznamenske slovenske literature, ki je zavezana samo estetskim kriterijem in ki jo danes označuje idejna, snovna, zvrstna in izrazna razčlenjenost.

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 - English synopsis

The article discusses František Ladislav Čelakovsk's contacts with France Prešeren and the influence of his aesthetics on Prešeren's creative paradigm, and through it on the development of Slovene literature.

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 - English summary

František Ladislav Čelakovsk was the first Czech to study Slovene literature in a systematic way, to evaluate it critically and to translate it. The article analyses his correspondence with Prešeren and his essay Krajinská literatura (in Časopis českého Musem VI (1832), 443-454). It discusses the reception of Čelakovsk's text among Slovene readers and the attitude of Krajinská literatura and Čelakovsk's aesthetic orientation in it towards Prešeren's aesthetic paradigm. With this text Čelakovsk intervened in Slovene literary production by defending Prešeren's aesthetic orientation and with it the type of Slovene literature that did not pursue a pragmatic goal but wanted only to meet aesthetic criteria and that is today characterised by extensive diversification in ideas, subject-matter, genre and expression.

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