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Gregor Kocijan

Kidričevo prešernoslovje po prvem delu monografije o Prešernu (1939-1950)


 Kidrič's Research On Prešeren After Part One Of His Monography On Prešeren (1939-1950)




- Slovenski sinopsis
- English synopsis
- English summary
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- Slovenski sinopsis

O tem, da je prof. Kidrič snoval drugi del monografije o Prešernu, ni dvoma; dokaz so trije objavljeni odlomki »iz rokopisa za knjigo: Prešeren 1838-1849«: Prešernova gostilniška publicistika (1947), Prešeren in vprašanje slovenskega časopisa 1838-1846 (1947), Prešeren in Kastelic izza jeseni 1838 (1950). Obsežnejši zasnutek drugega dela ni znan. Leta 1950 je izšel Kidričev Prešernov album 1949, ki je --- morda bi ga lahko imeli za svojevrstno nadomestilo ob nemožnosti končati drugi del monografije --- s slikovnim gradivom in dokumenti predstavil celotno Prešernovo življenje in delo.

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- English synopsis

There may be no doubt that France Kidrič worked on a manuscript for Part Two of his monography on Prešeren. A proof are three published passages »from the manuscript for the book Prešeren 1838-1849«: Prešeren's Publican Texts (Prešernova gostilniška publicistika, 1947), Prešeren and the Issue of a Slovene-Language Newspaper 1838-1846 (Prešeren in vprašanje slovenskega časopisa 1838-1846, 1947), Prešeren and Kastelic after the Autumn of 1838 (Prešeren in Kastelic izza jeseni 1838, 1950). However, nothing is known about any extensive draft of Part Two of the monography.

In 1950, Kidrič published The 1949 Prešeren Album (Prešernov album 1949), which may be regarded as an interesting substitute for Part Two of the monography which he could not finish. In it, he presents Prešeren's entire life and work using pictorial material and documents.

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- English summary

Having published Part One of his monography on Prešeren in 1938 (Prešeren 1800-1838), France Kidrič continued his research on the poet's life and work. A number of his publications before 1938 show that his findings reach also into the period he was going to discuss in Part Two of the monography. Between 1939 and 1950 he published 35 texts: 16 on Prešeren and his contemporaries, 8 on other topics of literary history, and 11 were related to current social issues or to his responsibilities as president of the Slovene Academy of Sciences and Arts. (In The Slovene Biographic Lexicon he contributed 16 entries, mainly on authors from early periods). That he worked on Part Two is obvious also from the fact that he published three passages »from the manuscript for the book Prešeren 1838-1849«: Prešeren's Publican Texts (Prešernova gostilniška publicistika, 1947), Prešeren and the Issue of a Slovene- Language Newspaper 1838-1846 (Prešeren in vprašanje slovenskega časopisa 1838-1846, 1947), Prešeren and Kastelic after the Autumn of 1838 (Prešeren in Kastelic izza jeseni 1838, 1950). However, nothing is known about any extensive draft of Part Two of the monography.

There are four texts that are particularly worthy of our attention; three among them are lectures or public speeches: Prešeren and the Slavic Identity (Prešeren in slovanstvo, 1945), Prešeren and Today's Issues (Prešeren in današnja problematika, 1947), and The Year 1848 and Prešeren (Leto 1848 in Prešeren, 1948). They are all characterized by exact identifications of the poet's significance, profound aesthetic evaluations of his work and positioning of Prešeren among Europe's greatest poets. These texts are synthetic, very different from his papers, in which he presents thematically organized facts from the poet's life and work or from the time and eenvironment in which he wrote.

In 1950, Kidrič published The 1949 Prešeren Album (Prešernov album 1949), which may be regarded as an interesting substitute for Part Two of the monography which he could not finish. In it, he presents Prešeren's entire life and work using pictorial material and documents. The Prešeren Album testifies to Kidrič's meticulous and systematic method of research: pictures and documents are accompanied by precious notes (which sum up the entire body of knowledge existent at the time) and a sort of a biographic lexicon of the poet's contemporaries who did not feature in the pictorial material. While Kidrič's monography remains a torso, this fact is partly made up for by The Album, which is a final contribution to the researcher's positivist and biographic method in exploring Prešeren's life and work. The four texts discussed in this paper, however, depart from the positivist literary history and start investigating aesthetic and artistic dimensions of Prešeren's literary body of work. They represent the beginning of a new stage in Kidrič's understanding of the poet and everything created by his genius.

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