Tomaz Sajovic
Historisticno oblikovanje uvodnih delov Jurcicevega pripovednega besedila Klostrski zolnir in Dezmanovega poljudnoznanstvenega besedila Notranjske gore in Cirknisko jezero
A Historist Formation of the Introductory Parts of Jurcic's Narrative Text Klostrski zolnir and Dezman's Popular-scientific Text Notranjske gore in Cirknisko jezero
Slovenski sinopsis
English synopsis
English summary
Slovenski sinopsis
Avtor v svoji razpravi opozarja na dva pogleda --- po enem gre v obravnavanem obdobju za prepad med retoricno in naravno poetiko, po drugem pa za soobstajanje razlicnih slogov. Raziskava odkrije, da struktura uvoda v povesti Klostrski zolnir spominja na barocno pridizno predlogo, obenem pa v nadaljevanju pokaze tudi na razlike med obema nacinoma upovedovanja, ki se kazejo predvsem na pomenski ravnini --- tudi v nasprotju med visoko obliko in nepoeticnim besediscem. Za primer historizma v neumetnostnem besedilu pa si izbere Dezmanovo poljudnoznanstveno besedilo Notranjske gore in Cirknisko jezero, za katerega je znacilna retoricna zaznamovanost posameznih stavkov z dvojnimi formulami, slogovno zaznamovan besedni red in umetelno oblikovanje odstavka kot sklenjene enote.
Iz tega izhaja tudi sklepna ugotovitev --- da se je namrec historicni besedilni vzorec v obravnavanem obdobju ze izgubljal ter se ohranil le se v posameznih drobnih formah.
English synopsis
The author in this study draws attention to two points of view: one of them sees in the discussed period a gap between the rhetorical and natural poetics, and the other a coexistence of various styles. He maintains that the structure of the introduction in the tale Klostrski zolnir is highly reminiscent of a Baroque sermonic pre-text and further points to the differences between the two modes of expression, which come to the fore on the semantic level, and also to the contrast between high form and non-poetic text. The study gives Dezman's popular-scientific text Notranjske gore in Cirknisko jezero as an example of historism in a non-artistic text, which is characterized by the historist quality of individual sentences with their double formulas, stylistically marked word order and artificial formation of a paragraph as a close-knit unit.
The author draws the conclusion that the historist textual pattern was about to disappear and was only preserved in individual lesser forms, in the discussed period.
English summary
The purpose of the study is to explain the phenomenon of historism in more detail in Slovene artistic and non-artistic texts of the 19th century, on the basis of the rhetorical textual patterns in the introductory parts of Jurcic's text Klostrski zolnir(1866) and Dezman's popular-scientific text Notranjske gore in Cirknisko jezero (1850) and their symbolic significance for both texts. The study also relies on the findings of art historiy, which in researching historist architecture came to the conclusion that in the period of historism (it began with classicism in the second half of the 18th century, acoording to the more recent studies it, however, certainly does not end with the close of the 19th century) the role of buildings was devided into the previously combined elements --- the purpose and significance. The significance was expressed in the form of the so-called historist style and existed independently, regardless of the practical purpose. The choice of an adequate 'style', which is modelled on the previous style period, was symbolically determined and artistically, culturally and socio-politically motivated. This double structure is possible to detect in Pogorelec's studies about the clash between the rhetorical, i. e. historical and natural poetics that was going on from Enlightenment to the Modern (and beyond), as well as in the findings of the Slovene literary historians (Paternu, Kmecl and others). The study is essentially a linguistic and stylistic one, with special emphasis on discourse analysis and rhetoric.
