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Boza Krakar Vogel

Obravnavanje literarne klasike v sodobni soli - na primeru Preserna
Literary Classics in Contemporary School: The Example of Preseren


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Slovenski sinopsis
 - English synopsis
 - English summary
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 - Slovenski sinopsis

Nas prispevek na podlagi raziskovanja odzivov na Preserna in opazovanj solske prakse daje nekaj predlogov, kako je mogoce kljub sorazmernemu izhodiscnemu nezanimanju mladih za literarno klasiko dosegati boljso motivacijo za branje in obravnavanje te literature. Zaradi stevilnih trajno aktualnih vlog literarna klasika namrec upraviceno ostaja ena od temeljnih vsebin tudi pri sodobnem knjizevnem pouku.

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 - English synopsis

On the basis of two empirical studies of students' responses to Preseren's poetry and observation of classroom practice, the author proposes several ideas for improving the initially modest interest of young people in literary classics and motivating them to read and discuss this literature. With numerous timeless roles, classic literature remains one of the cornerstones of teaching literature.

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 - English summary

Literary classics, the »core« of literary canon, literature with the properties of »exceptionality, excellence, first-rateness«, tested on two or more generations of cultivated readers, is traditionally the major content of (especially secondary school) literature classes both in Slovenia and in many other countries. However, views in contemporary literary pedagogy on how necessary and how attractive this literature is in classroom differ.

The issue of whether literary classics can still function as the core of contemporary literary classes in Slovene schools was addressed again when new curricula were being designed, and an empirical study into it was carried out on the occasions of the anniversaries of Preseren's birth and of his death.

Answers of teachers, authors and literature experts show that they mostly agree that literary classics play not only an educational and humanistically encyclopaedic role, but that they act also as a corpus of fundamental literary patterns that significantly contributes to the formation of the young reader's horizon of expectations, helping him to become able of quality reading of new, unknown texts.

How classic literature and its art could be made more appealing to young generations was explored in two qualitative studies of responses of primary school, secondary school and university students to Preseren's poetry. The moderate popularity of Preseren's poetry, which derives from a naïve emotional experience and an admiration of its artism and which is reduced by poor comprehension of its messages, often seen as having little relevance to the present time, could be, according to our respondents, improved. To achieve this, teachers should help them to better understand Preseren's poetic language, present his life and character in a more interesting way, allow them to develop a freer evaluation that would not be constrained by the generally accepted myth, and have them listen to oral interpretations of his poems. These suggestions support our earlier observations that these activities are frequently neglected at the expense of a too demanding »scientific« nature of literary classes, which implies that teachers' expectations are sometimes excessive and that they are not aware of communication noises in their teaching strategies.

On the basis of this research into students' responses to Preseren and observations of classroom practice, the author proposes several ideas for improving the initially modest interest of young people in literary classics and motivating them to read and discuss this literature. With numerous timeless roles, classic literature remains one of the cornerstones of teaching literature.

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